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If someone is doing a difficult vocal harmony (or something similar) and you can’t get them in the studio again easily to fix any problems, I recommend that you record multiple takes and save them all, just in case there are undiscovered problems with the take that you thought was perfect.įor the record, Brian and I would have preferred to not use Auto-Tune at all on this album. Whenever we discovered that Brian or myself were irreparably out of tune during mixing, we could re-take that section on the spot, but Karen wasn’t around during the mixing process, so it was a case of Auto-Tune or die.
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One passage in “Out of Time” couldn’t even be saved by Auto-Tune (which says bad things about my ear because it sure sounded in tune to me when she recorded it) and we ended up having to throw out her part in that section. Although some of Karen’s parts came out fine, we ended up having to use Auto-Tune extensively in some passages. Brian and I could get away with being a little loose with pitch when singing by ourselves, but whenever we bust out the vocal harmonies, any sourness in pitch is immediately and painfully obvious. This is because almost all of her vocal parts are harmony parts. This is not because Karen has bad pitch, she’s probably on key more often than I am. Auto-TuneĪnother issue that we had to confront frequently when recording with Karen and mixing her parts was when and if to use Auto-Tune.
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Naturally this is impossible for Karen to sing live without help, but that’s what’s great about studio albums, they free you from limits such as how many people you can put on stage at once. I think the resulting backing vocals step back during the main part of Brian’s guitar solo in the bridge and give him more space, but also sound more impressive in a Cranberries-esque fashion. Karen obliged by singing two-part harmonies, using them to create chords rather than an entirely independent melody line. When we started recording Break Free again at Portrait Studios for “Stay Awake,” I asked Karen to try writing some new harmonies that would be more choral and less busy-sounding, to avoid the problem of it sounding like there were two solos at once. Having two “solos” going at once made the song sound a little busy and disorganized, although there were a few nice interactions between Karen’s singing and Brian’s lead guitar.
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However, this didn’t work quite as well with a full band, because Karen sang what amounted to a vocal solo during the bridge, at the same time as Brian’s guitar solo. On our previous attempt at recording this album, Karen simply sang the exact same vocal harmony that she sang when performing as a duo with me.
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One song that she sang with me was Break Free (which is an ancient song that I originally wrote when I was in high school), and she wrote her own vocal harmony part to accompany me. with me since before WSD took its first steps towards recording a studio album. Karen has been performing at open mikes etc. Adapting live vocal harmonies for a studio album We had good experiences with her contributing vocals and some keyboards to our previous album attempt, so it is no surprise that we brought in Karen again to help us compose and sing the backing vocals on the “Stay Awake” album. In addition, Karen is a serious singer and songwriter in her own right, having sung in choirs for many years, contributed her voice to musical groups such as Tryad (you can hear her singing lead vocals on “ Beauty” from their album Listen) and written and recorded several wonderful tracks on her home computer. She also did all of the graphic design and most of the web design for our beautiful website. Karen has repeatedly lent us her artistic skills, doing an amazing job on the cover art for our old EP and the Grinder’s Tale 3P, and she’s currently working on a draft of the cover art for the upcoming Stay Awake album. Karen was there at our first rehearsals, with just me and Brian before we had any other musicians to work with. The lovely and talented Karen Rustad has been with working closely with Wrong Side of Dawn since its formation.